Cense Symposium: Beyond Listening 2025

23–27 September 2025
Cukrarna Gallery, Sečovlje Salina Nature Park, City Museum of Ljubljana and public spaces
Authors
John Grzinich,Kristine Diekman,Mary Edwards,Ben Pagac,Arthur Enguehard,Cha Caillat,Ida Hiršenfelder,Hugo Lioret,Ivan Penov,Ján Solčáni,Georgios Varoutsos,Eric Leonardson,Various artists,Eva Vozárová,Juan José López Díez,Rok Šturm,Bálint János Kiss,Mersid Ramičević,Carina Pesch,Kevin Logan,Mike Thompson,Joanna Patrycja Wyrwa,Madina Tlostanova,Maria Balabas,Darko Fritz andVarious artists

Cona, in collaboration with the ZRS Koper (Science and Research Centre Koper), is co-organising this year’s CENSE (Central European Network for Sonic Ecologies) symposium. The event brings together more than 30 scientists, theorists, artists and authors, selected through an open call. The programme committee has curated the symposium into three distinct formats: papers, peripatetic lectures and listening posters. The symposium forms a core part of the festival’s theoretical strand, highlighting the significance of acoustic ecology and walking as a method of inquiry and engagement.

CENSEmaking: A walk with the network in motion

A seemingly small event in Budapest in late November 2023 showed that discussing and acting upon our shared soundscapes is not only meaningful but necessary. Amid growing uncertainties, conflicts, and climate transformations, it may, in fact, be more vital than ever. As many of us would agree, it is through soundscapes that our planet – together with its human and more-than-human co-inhabitants – expresses its condition. By attending to these expressions through attentive listening, we open pathways to understanding and responding to that condition.

But what does it truly mean to listen to the world’s condition? What kinds of responsibilities arise from becoming attuned to it? Awareness alone may not be sufficient. What actions can we imagine that build upon the insights gained through listening, helping us move forward – or perhaps even backward, to better understand the roots of the challenges we face?

That event in chilly Budapest was carefully tuned to explore how we might move beyond listening and sketch, at least tentatively, possible directions forward. However, while acknowledging the transformative power of listening, we also pondered: do we sometimes expect too much from it? What other actions must precede, accompany, and follow listening in order to foster the change we hope for? How can the increasingly palpable transformations across our environments be addressed, locally and collectively, beyond the act of listening itself?

Organised by the Central European Network for Sonic Ecologies (CENSE), the symposium did not seek to offer any direct prescriptions – nor should it have. Listening rarely leads to definitive conclusions; rather, it unsettles them, opening avenues that might otherwise remain imperceptible or inconvenient to pursue. Nevertheless, the symposium left behind something more concrete: a series of resonant reflections affirming that listening matters, reflections which participants carried back into their communities, wetlands, saltworks, estuaries, forests, and other places of care and custodianship from which they had come.

Another tangible outcome emerged almost immediately – one that, considering the richness of perspectives shared during those intense days, was, in some ways, inevitable to foresee (or forehear). It became clear that we need more time, more space, and a more closely aligned network in order to stay with and work through these questions. Thus, BEYOND LISTENING 2025: WALKING-WITH CHANGES – the very event unfolding here in Ljubljana, back-to-back with the TO)pot festival – carries the ambition to continue moving us, slowly and attentively, while immersed in the act of listening but also towards its beyond.

Writing in her inspiring Wanderlust, Rebecca Solnit suggests that “walking, ideally, is a state in which the mind, the body, and the world are aligned, as though they were three characters finally in conversation together, three notes suddenly making a chord.” To attend to the condition of our planet, is to allow oneself to walk with it. And by implication, to allow the planet – and diverse ways through which its complexities manifest themselves locally – to walk through our minds and bodies, “without being made busy by them”, to quote Solnit once more.

What modalities of listening – and walking-with – can we engage with today to inspire new perspectives, or regenerate old but meaningful ones, on the environmental changes that affect us all? What would it mean to slow down and, rather than rushing to solve these challenges, walk with the troubles and give them the hearing they require? How might we persuade those troubles to walk alongside us, rather than overtaking us – or trampling upon our best intentions?

This event turns to walking as a critical and creative method of inquiry, which – when coupled with the transformative power of listening – may help us develop new modes of sensing and knowing the transforming world around us. Through an open call for papers, peripatetic or performative lectures, and listening posters, we invited artists and scholars to engage with a broad and yet interconnected range of themes, including: Walking-with changes – rethinking walking as a method of inquiry and approaching listening with one’s feet; Listening-with and beyond disciplines – exploring the convergence of art, science, and technology within sonic ecosystems; Staying-with solastalgia– addressing the distress induced by environmental change in our home environments;

Resonating-with lessons from listening to the Anthropocene – confronting inequality, discrimination, and social injustice; Being-with other-than-human sonic environments – engaging ecoacoustics, bioacoustics, and environmental activism; and Rethinking-with local and regional, historical and contemporary epistemologies and ethics of environmental awareness.

The symposium also marks an important moment for the CENSE community. After the event in Budapest, it became clear that CENSE makes sense – but that its purpose can only be sustained and developed if we, as artists, scholars, and activists from the region, unite around the most pressing aspects of our contemporary reality, both here and beyond. Following Budapest, and through a series of online meetings, we began a process of reflecting on the network’s legacy while drafting a vision for its future. As a result, we collectively arrived at a renewed mission that places the protection and restoration of soundscapes, through interdisciplinary activities, at its core. After re-registering the network in Wrocław, Poland, we are now committed to building a solid foundation for future collaborations and initiatives – such as this one, in Ljubljana.

We believe that voices from our region must be heard more strongly, especially today, amid geopolitical tensions, existential instabilities, and the growing recognition of epistemic and imperialistic violence that has historically disciplined this region – a violence that some liken to a form of colonialism. By “voices”, we mean not only those of individuals and human communities but also those of other-than-human entities. Our voice is not meant to stand in opposition to other voices across the continent or the world. While Western Europe – and the West more broadly – has historically neglected voices from Central and Eastern Europe, we see no space for reactionary attitudes. Therefore, our network remains open to all who share our concerns for acoustic environments and, through them, for all their actors – human and more-than-human – those participating in shaping these environments, and particularly those who have been, and continue to be, excluded from doing so.

With sincere thanks to the organisers of the TO)pot festival who invited and made room for the symposium back-to-back with their programme of soundwalks, we invite you to walk with CENSE as it undergoes necessary transformations. Through a rich array of presentations, we hope you will find yourself not only in a state of resonance but also, perhaps, in a state of productive dissonance – attuned to and in critical dialogue with the diverse ways in which listening can inspire meaningful action.

Jacek Smolicki,
Interim Chair
On behalf of the board of CENSE

Cona, in collaboration with the ZRS Koper (Science and Research Centre Koper), is co-organising this year’s CENSE (Central European Network for Sonic Ecologies) symposium. The event brings together more than 30 scientists, theorists, artists and authors, selected through an open call. The programme committee has curated the symposium into three distinct formats: papers, peripatetic lectures and listening posters. The symposium forms a core part of the festival’s theoretical strand, highlighting the significance of acoustic ecology and walking as a method of inquiry and engagement.

CENSEmaking: A walk with the network in motion

A seemingly small event in Budapest in late November 2023 showed that discussing and acting upon our shared soundscapes is not only meaningful but necessary. Amid growing uncertainties, conflicts, and climate transformations, it may, in fact, be more vital than ever. As many of us would agree, it is through soundscapes that our planet – together with its human and more-than-human co-inhabitants – expresses its condition. By attending to these expressions through attentive listening, we open pathways to understanding and responding to that condition.

But what does it truly mean to listen to the world’s condition? What kinds of responsibilities arise from becoming attuned to it? Awareness alone may not be sufficient. What actions can we imagine that build upon the insights gained through listening, helping us move forward – or perhaps even backward, to better understand the roots of the challenges we face?

That event in chilly Budapest was carefully tuned to explore how we might move beyond listening and sketch, at least tentatively, possible directions forward. However, while acknowledging the transformative power of listening, we also pondered: do we sometimes expect too much from it? What other actions must precede, accompany, and follow listening in order to foster the change we hope for? How can the increasingly palpable transformations across our environments be addressed, locally and collectively, beyond the act of listening itself?

Organised by the Central European Network for Sonic Ecologies (CENSE), the symposium did not seek to offer any direct prescriptions – nor should it have. Listening rarely leads to definitive conclusions; rather, it unsettles them, opening avenues that might otherwise remain imperceptible or inconvenient to pursue. Nevertheless, the symposium left behind something more concrete: a series of resonant reflections affirming that listening matters, reflections which participants carried back into their communities, wetlands, saltworks, estuaries, forests, and other places of care and custodianship from which they had come.

Another tangible outcome emerged almost immediately – one that, considering the richness of perspectives shared during those intense days, was, in some ways, inevitable to foresee (or forehear). It became clear that we need more time, more space, and a more closely aligned network in order to stay with and work through these questions. Thus, BEYOND LISTENING 2025: WALKING-WITH CHANGES – the very event unfolding here in Ljubljana, back-to-back with the TO)pot festival – carries the ambition to continue moving us, slowly and attentively, while immersed in the act of listening but also towards its beyond.

Writing in her inspiring Wanderlust, Rebecca Solnit suggests that “walking, ideally, is a state in which the mind, the body, and the world are aligned, as though they were three characters finally in conversation together, three notes suddenly making a chord.” To attend to the condition of our planet, is to allow oneself to walk with it. And by implication, to allow the planet – and diverse ways through which its complexities manifest themselves locally – to walk through our minds and bodies, “without being made busy by them”, to quote Solnit once more.

What modalities of listening – and walking-with – can we engage with today to inspire new perspectives, or regenerate old but meaningful ones, on the environmental changes that affect us all? What would it mean to slow down and, rather than rushing to solve these challenges, walk with the troubles and give them the hearing they require? How might we persuade those troubles to walk alongside us, rather than overtaking us – or trampling upon our best intentions?

This event turns to walking as a critical and creative method of inquiry, which – when coupled with the transformative power of listening – may help us develop new modes of sensing and knowing the transforming world around us. Through an open call for papers, peripatetic or performative lectures, and listening posters, we invited artists and scholars to engage with a broad and yet interconnected range of themes, including: Walking-with changes – rethinking walking as a method of inquiry and approaching listening with one’s feet; Listening-with and beyond disciplines – exploring the convergence of art, science, and technology within sonic ecosystems; Staying-with solastalgia– addressing the distress induced by environmental change in our home environments;

Resonating-with lessons from listening to the Anthropocene – confronting inequality, discrimination, and social injustice; Being-with other-than-human sonic environments – engaging ecoacoustics, bioacoustics, and environmental activism; and Rethinking-with local and regional, historical and contemporary epistemologies and ethics of environmental awareness.

The symposium also marks an important moment for the CENSE community. After the event in Budapest, it became clear that CENSE makes sense – but that its purpose can only be sustained and developed if we, as artists, scholars, and activists from the region, unite around the most pressing aspects of our contemporary reality, both here and beyond. Following Budapest, and through a series of online meetings, we began a process of reflecting on the network’s legacy while drafting a vision for its future. As a result, we collectively arrived at a renewed mission that places the protection and restoration of soundscapes, through interdisciplinary activities, at its core. After re-registering the network in Wrocław, Poland, we are now committed to building a solid foundation for future collaborations and initiatives – such as this one, in Ljubljana.

We believe that voices from our region must be heard more strongly, especially today, amid geopolitical tensions, existential instabilities, and the growing recognition of epistemic and imperialistic violence that has historically disciplined this region – a violence that some liken to a form of colonialism. By “voices”, we mean not only those of individuals and human communities but also those of other-than-human entities. Our voice is not meant to stand in opposition to other voices across the continent or the world. While Western Europe – and the West more broadly – has historically neglected voices from Central and Eastern Europe, we see no space for reactionary attitudes. Therefore, our network remains open to all who share our concerns for acoustic environments and, through them, for all their actors – human and more-than-human – those participating in shaping these environments, and particularly those who have been, and continue to be, excluded from doing so.

With sincere thanks to the organisers of the TO)pot festival who invited and made room for the symposium back-to-back with their programme of soundwalks, we invite you to walk with CENSE as it undergoes necessary transformations. Through a rich array of presentations, we hope you will find yourself not only in a state of resonance but also, perhaps, in a state of productive dissonance – attuned to and in critical dialogue with the diverse ways in which listening can inspire meaningful action.

Jacek Smolicki,
Interim Chair
On behalf of the board of CENSE

Symposium co-creators: Sara Anjo, Maria Balabas, Maja Bjelica, Pia Brezavšček, Cha Caillat, Ádám Darázs, Kristine Diekman, George Edmondson, Mary Edwards, Arthur Enguehard, Darko Fritz, John Grzinich, Csaba Hajnóczy, beepblip [Ida Hiršenfelder], Bálint János Kiss, Eric Leonardson, Hugo Lioret, Kevin Logan, Juan José López Díez, Ben Pagac, Ivan Penov, Carina Pesch, Karmen Ponikvar, Saška Rakef, Mersid Ramičević, Ján Solčáni, Rok Šturm, Mike Thompson, Madina Tlostanova, Georgios Varoutsos, Eva Vozárová, Joanna Patrycja Wyrwa
Symposium’s programme board scientific committee:
Elena Biserna, Jacek Smolicki, Maja Bjelica
Symposium’s programme board organising committee: Irena Pivka, beepblip [Ida Hiršenfelder], Maja Bjelica
Symposium’s advisory board: Csaba Hajnóczy, Miloš Vojtěchovský, Brane Zorman, Petra Kapš

The CENSE Symposium is produced by Cona Institute, co-organised by the Science and Research Centre Koper, Institute for Philosophical and Religious Studies, and facilitated by the Central European Network for Sonic Ecologies (CENSE).

Symposium in the Field: Walking and Listening in the Sečovlje Salina Nature Park, the whole-day experiential happening of the symposium is supported and implemented by the company SOLINE, d.o.o. / the Sečovlje Salina Nature Park, Maritime Museum “Sergej Mašera” Piran and Muzofil Association.

The Symposium in the Field is also prepared within the framework of the basic research project “Grain of Salt, Crystallising Cohabitation: Salt-Making as Experiential Environmental Wisdom,” which is being implemented at the Institute for Philosophical and Religious Studies at the Science and Research Center Koper (ZRS Koper), and is financed by the Slovenian Research and Innovation Agency (ARIS J6-50196).

Programme

The Dramaturgy of Time as a Factor in Creating Spaces of Relationality, Wonder and Attunement

A lecture exploring time as a dramaturgical tool for shaping spaces of perception, relationality and attunement.

H2O Interface

Water as an active agent reveals entangled relations between human and non-human worlds.

Home Is Where Listening Happens

An exploration of listening practices and soundwalking in relation to belonging, home, and ecological awareness.

(De)coloniality of Sensing

The coloniality of perception shapes the world, while artistic practices dismantle it through decolonial experience.

When the unspeakable is brought to light …

Dark soundscapes reveal overlooked urban relations, exclusions and ecopolitical tensions.

A Little Bird Told Me

Starlings as sonic co-creators raise questions of recording ethics and non-human communication.

Vltava

From Smetana to today, composition opens to more-than-human collaboration and listening to place.

A Venture into the Field as a Medium

Abandoned terrain reveals a habitat beyond human measures, through listening and walking without intent.

Onomatopoeia and the Post-Industrial Soundscape

A lecture examining onomatopoeia and linguistic adaptations within the contemporary post-industrial soundscape.

AudioSwarm

A listening walk inviting participants to collectively embody an insect swarm through sound.

Beyond the Audible

A performative lecture exploring vibroscapes, ecotremology and modes of listening beyond audible sound.

Screaming Air

A performative lecture exploring the sonic intrusion of cicadas as a signal of climatic, perceptual and cultural shifts.

Listening Posters

An exhibition of listening posters as a format for sound-based reflection, bringing together short sonic works, research approaches, and authored perspectives within a gallery setting.

Terep Project

Terep Project explores natural and urban soundscapes through field composition, improvisation and online sound capture.

Return to the Perimeter

An augmented reality soundwalk conceived as a peripatetic lecture, exploring narratives of social control, kinship and spatial perception.

Symposium co-creators: Sara Anjo, Maria Balabas, Maja Bjelica, Pia Brezavšček, Cha Caillat, Ádám Darázs, Kristine Diekman, George Edmondson, Mary Edwards, Arthur Enguehard, Darko Fritz, John Grzinich, Csaba Hajnóczy, beepblip [Ida Hiršenfelder], Bálint János Kiss, Eric Leonardson, Hugo Lioret, Kevin Logan, Juan José López Díez, Ben Pagac, Ivan Penov, Carina Pesch, Karmen Ponikvar, Saška Rakef, Mersid Ramičević, Ján Solčáni, Rok Šturm, Mike Thompson, Madina Tlostanova, Georgios Varoutsos, Eva Vozárová, Joanna Patrycja Wyrwa
Symposium’s programme board scientific committee:
Elena Biserna, Jacek Smolicki, Maja Bjelica
Symposium’s programme board organising committee: Irena Pivka, beepblip [Ida Hiršenfelder], Maja Bjelica
Symposium’s advisory board: Csaba Hajnóczy, Miloš Vojtěchovský, Brane Zorman, Petra Kapš

The CENSE Symposium is produced by Cona Institute, co-organised by the Science and Research Centre Koper, Institute for Philosophical and Religious Studies, and facilitated by the Central European Network for Sonic Ecologies (CENSE).

Symposium in the Field: Walking and Listening in the Sečovlje Salina Nature Park, the whole-day experiential happening of the symposium is supported and implemented by the company SOLINE, d.o.o. / the Sečovlje Salina Nature Park, Maritime Museum “Sergej Mašera” Piran and Muzofil Association.

The Symposium in the Field is also prepared within the framework of the basic research project “Grain of Salt, Crystallising Cohabitation: Salt-Making as Experiential Environmental Wisdom,” which is being implemented at the Institute for Philosophical and Religious Studies at the Science and Research Center Koper (ZRS Koper), and is financed by the Slovenian Research and Innovation Agency (ARIS J6-50196).