SO.UND.ING Acousmonium: Thomas Gorbach & The Vienna Acousmonium

An interdisciplinary musician, performer and composer of acousmatic music. As the founder and organiser of The Acousmatic Project, he co-developed The Vienna Acousmonium, a multi-channel loudspeaker orchestra, along with a method for interpreting acousmatic works and producing ephemeral, dynamically moving sound sculptures.

A sound artist and performer working in the field of electroacoustic music and spatial sound interpretation.

A composer and artist researching acousmatic music, spatial sound and multi-channel sound systems. Member of The Acousmatic Project.

Musician, sound designer, and media artist. He has been writing music, creating sound art, performing, and manipulating new media in various ways since the mid-1990s. He specialises in computer music, elaborated funk beats, immersive soundscapes, incidental music for live arts and video, and digital media experiments. He performed at festivals such as Ars Electronica (Linz), EMAF (Osnabrück), Netmage (Bologna) and Trouble (Brussels), worked at Ljubljana Digital Media Lab (Ljudmila) and local hackerspace CyberPipe (Ljubljana), exhibited at Kapelica Gallery, the Museum of Modern Art and MSUM Ljubljana, and travelled with his work across Europe and further, including New York and New Zealand.

He has developed a diverse career encompassing acoustic, electroacoustic, and experimental music and several artistic fields. He is a curator and head of R&D at HEKA Lab at PINA in Koper, Slovenia, where he designs immersive studio technologies and content production.

Composer, sound and intermedia artist, sound manipulator, producer and curator. Besides composing for the theatre, intermedia and dance, he is focused on developing different strategies, techniques, dynamic and interactive models in his work on sound and space, recording and reinterpreting soundscapes and creating electronic and acoustic sound sculptures using sophisticated tools.