tremolo

By merging scientific research on insect vibrational communication with artistic interpretation through sound art, tremolo situates itself within a broader ecological and urban-spatial context. Musicians use sonorities transmitted through natural materials – such as leaves, branches and soil – and objects like buildings, roads and caves to reveal hidden layers of communication that are mostly inaudible to the human ear. Scientific analysis of the sound material is crucial, providing artists with verified insights into the acoustic environment. Some sounds are recognised and classified, while many others are entirely new to scientists. Often, these new sounds resemble classified ones but are identified as distinct through further analysis. At times, it remains unclear whether certain sounds originate from natural sources, as they are recorded in complex urban settings influenced by numerous factors.

This blend of scientific rigor and artistic exploration forms the creative foundation of the project. By combining these approaches, the collaboration brings a richer, more nuanced artistic experience to a wider audience.

Thus, tremolo is not just a musical work experienced through sound alone; its approach also reflects the complex relationship between urban dwellers and their habitat – what is known as the third landscape. These are abandoned urban spaces, outside the control of formal urban planning, existing as in-between zones awaiting future development. Meanwhile, these areas serve as unique habitats, fostering high biodiversity. Ljubljana’s Krater is a prime example of such a landscape.