| Projects |
| - ZONE
A - ZONE B - ZONE C - ZONE C - Entrance South - ZONE A - ZONE B - ZONE C - ZONE C - Entrance South - BALLETTIKKA INTERNETTIKKA - Oppera Internettikka Bollywooddikka - Cona Presentations Irena Pivka - Scenography - Costumes - Urban interventions Brane Zorman Vs BeitThroN - Soundtracks for Theatre, Internet Dance Performances, Installations, - Music for Films and Commercials - Live Surround Concerts - Sound Design and Data Manipulation In collaboration with other artists: Ballettikka Internettikka - (Intima) OMMM (O.S.T.) - Aksioma MASKA |
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OSCILATIONS - 30
DAYS OF SOUND
Brane
Zorman Vs BeitThroN
"Surround concert for 6 channels and 2 TV Eyes" Brane Zorman Vs BeitThroN performed live in 5.1 surround on Wednesday, January 11th, 2006, at 8.00 pm in Mala Galerija, Moderna Galerija Ljubljana, currator- Bojana Piškur      "Surround concert for 6 channels and 2 TV Eyes" A spatial electronic sound investigation of the environment, coupled with video tape played on two video/television screens This live performance is based on a spatial sound (surround) manipulation of material by means of various (e.g., synthetic, dynamic, granular) techniques for generating and processing sound in real time. In the process of live composing, the performer uses previously prepared musical elements of compositions, effects, series of modulations, synthesized voices and instruments, and, in accordance with the resulting situation in the space, the principle of pure improvisation. In the space, the sound is transmitted digitally on six separate channels at the highest resolution to six loudspeakers suitably positioned in the space. The
composition of the
performance consists of three basic themes or
sections, each with its own recognizable melody or structure in which
both synthetic—electronic and analog (organic) sounds intertwine. Each
section is structured so as to allow for optional additional
interventions (open insert mode).
1. platform 2. implementation 3. positioning—recording The duration of the composition is
determined by the duration of the
videotape on the two television screens. It is limited to exactly
twenty minutes (1200 seconds). The screens are positioned flanking the
stage, at a height slightly above the level of the desk with the
performer’s musical and computer equipment. Playing on the two screens
are extremely slow-motion shots of a single blink of an eye, shot
simultaneously by two cameras. A single blink, which in reality lasts a
bare few tenths of a second, is here protracted to twenty minutes. When
the “open-close” action of the blinking eyelid finishes, also the sound
story comes to an end.
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Irena Pivka in Brane
Zorman
sta člana ASOCIACIJE
društva nevladnih organizacij in samostojnih ustvarjalcev na področju
umetnosti in kulture.
P&C Brane Zorman, Irena Pivka, www.cona.si, 2001-2006